Charles Xavier (
balancingminds) wrote2013-11-21 08:13 pm
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Upstairs with Erik
His room is unchanged, there's a fire, two comfortable chairs, a chess set, dark woods, a bottle of Scotch and the coziness that reminds Charles of New York.
Inside he steps in to lean against a back of a chair, he's always aware of the space between his body and Erik's and even though they have now been closer than before, he knows that it might not last.
He reaches up to adjust the cravat and looks over to Erik.
Inside he steps in to lean against a back of a chair, he's always aware of the space between his body and Erik's and even though they have now been closer than before, he knows that it might not last.
He reaches up to adjust the cravat and looks over to Erik.
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He relaxes with a smile, Erik's still here and moves to loosen the cravat.
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He prefers having his neck open when he can and he likes this new smile of Erik's.
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As Erik plays with his cravat, he stays still, curious to see what he'll do though he'll be glad to be rid of it.
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His neck has been covered and the air plus Erik's lips is surprising and wonderful.
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He knows he's going to have to be careful with possibly projecting. His position is awkward but he doesn't mind too much as he leans in to kiss Erik's neck ever so slightly opening his shields to allow Erik to feel his excitement and the nervousness beside it.
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This time he opens his shields wider and kisses Erik trying to use the kiss to make the transition easier.
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He doesn't want to close these doors now they've been opened but there's a reason he keeps them closed.
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He's never seen that smile of Erik's before and shifts into his touch. Its good to know he's not too much because this is what he wants, touch and feeling.
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Erik's joy is wonderful and Charles kisses him again.
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He is never letting go, not if he can help it.
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Yet he can feel below it desire and strokes Erik's neck, he wants and needs the physical connection to match the psychic.
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He laughs and pulls his jacket off, its far too restricting.
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"I do try to be fascinating."
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