Charles Xavier (
balancingminds) wrote2012-06-11 08:00 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
(no subject)
Somehow after the discussion with Erik, Charles managed to sleep though his dreams were complicated and vivid as he thought of Erik's touch.
He woke early and went to make himself a strong cup of coffee in the kitchen, his hair wet from the shower and his shirt not fully buttoned.
The past few days have been so full, he wonders what's to come next.
He woke early and went to make himself a strong cup of coffee in the kitchen, his hair wet from the shower and his shirt not fully buttoned.
The past few days have been so full, he wonders what's to come next.
no subject
Knowing the cause isn't the same as knowing how to fix it. He would point out something about assumptions and how for all he knows, its not everything. Erik isn't as transparent to Charles as he seems to think he is.
no subject
no subject
"The closest hotel is five miles away and would require a car to get to and from. Would that work or should I see if I can find a door to elsewhere?"
Milliways would be useful and he thought he saw a hint of it in Erik's thoughts but it was something he moved by. Milliways seems quite far away at the moment.
no subject
no subject
Directness seems to be in full use this morning, which Charles is happy to take full advantage of.
no subject
no subject
As the cabinets shake, Charles pours out the tea, he's not going to be intimidated by that. He has not gone into Erik's mind since they first met without being invited.
no subject
no subject
Charles gets his mug of tea and takes his time adding milk and sugar, he wants Erik to stay and is going to find out how to make that happen.
no subject
no subject
Calling it a madhouse seems rather unfair, Milliways is fascinating and hopeful.
no subject
no subject
"Oh, what were you thinking?"
no subject
no subject
Though if he was there while Erik slept, he could probably alter the intensity of the dreams.
no subject
no subject
If that will help Erik decide to stay then Charles will happily do it. It's also something he can do for Erik and a chance to know him better and be with him.
no subject
no subject
He hasn't had a chance to ask Raven what happened but he does hope she'll tell him. Erik's question plus the way he's looking has Charles drinking his tea rather quickly.
They could go through to Milliways and experiment, try and find more ways to understand each other. It would just be a matter of finding a door.
no subject
no subject
"I wouldn't. If she wants you to feel bad then she'll find a way. Shall we see about finding a door? I haven't seen one since England but its just a matter of finding it."
no subject
no subject
"Then Milliways will have to be disappointed that you're in clothes you've worn before. You always look elegant so I wouldn't worry."
There's one last swallow in his tea and he gulps it down before looking around the kitchen, there aren't that many doors.
no subject
no subject
Erik's hand doesn't touch skin but it almost does and he closes his eyes to find a moment of balance. Then he tries to focus on the doors as he wouldn't mind what anyone thought about him and Erik,
"Yes, um elegant. It looks like our options are the main door and the pantry."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)